Electronics

Find Electronics from the best B2B online marketplace. Find a reliable Electronics supplier, vendor, manufacturer or distributor to get free quote on HKTDC Sourcing.

Electronics Suppliers and Manufacturers

Consumer Electronics

Find Consumer Electronics from the best B2B online marketplace. Find a reliable Consumer Electronics supplier, vendor, manufacturer or distributor to get free quote on HKTDC Sourcing.

Consumer Electronics Suppliers and Manufacturers

Camera & Accessories

elec

Find Camera & Accessories from the best B2B online marketplace. Find a reliable Camera & Accessories supplier, vendor, manufacturer or distributor to get free quote on HKTDC Sourcing.

Camera & Accessories Suppliers and Manufacturers

Bequator Corporation Ltd

Sony Alpha A7C II at a glance:£2100 body-only£2349 with 28-60mm lens33MP Exmor R CMOS sensor, 36 x 24mmISO 100-51,200 (standard), ISO 50-204,800 (extended)Up to 10 fps shooting2.36m-dot, 0.7x viewfinder3in, 1.04m-dot fully articulated touchscreen4K 30p video (4K 60p with ‘Super 35’ 1.5x crop)In terms of design, the A7C II resembles the APS-C A6700. This means it has no joystick on the back for selecting the AF point or desired subject. Credit: Andy Westlake While Sony says the A7CR is aimed at ‘pro artists’ shooting subjects such as portraits and landscapes, the A7C II is an all-rounder for enthusiasts who’d like full-frame image quality from a relatively small camera. Both models come in either a sober-looking all-black, or a nattier two-tone black and silver finish. The A7C II will also be available in a kit with the FE 28-60mm F4-5.6 zoom, for £2350. This lens certainly has the virtue of being lightweight and portable, but creatively it’s rather limiting. While the original A7C came with some serious compromises, including a disappointingly tiny viewfinder, both the A7C II and theA7CR gain many of the same improvements we saw in the recent APS-CSony Alpha A6700. This includes an improved control layout and a larger EVF. But is this enough to make them a serious alternative to SLR-shaped models? Sony Alpha A7C II : FeaturesIn many ways, the A7C II can be seen as a smaller version of the excellentSony Alpha A7 IV, with a similar sensor and many of the same key specifications. However, it gains all of the new technologies Sony has introduced in the intervening two years, including its latestsubject detection autofocus system that’s powered by its own AI processor. However, the smaller body imposes a step back in certain other areas. 

Sony a7C II Mirrorless Camera with Lens 33MP Full-Frame BIONZ XR By Fedex

***Sony A6700 Mirrorless Camera Body &amp; 18-135mm Lens 26MP Exmor (Black) by FedEx*** Key Features26MP Exmor R APS-C BSI CMOS SensorBIONZ XR Image ProcessorUHD 4K 120p / FHD 240p / 10-Bit 4:2:2Up to 11-fps Shooting, ISO 100-320005-Axis Pixel-Level Image StabilizationReal-Time Tracking AF for Stills &amp; Video759-Point Phase Detection, 93% CoverageS-Log3, S-Gamut3, S-Cinetone, User LUTsInternal Mic + Inputs, USB Streaming3" 1.03m-Dot Vari-Angle LCD TouchscreenThe Multi-Tool for the Multi-HyphenateA compact synthesis ofSony's Cinema Line innovations, α-series still-image rendering quality, and advancements in AI-based recognition technology, thea6700 Mirrorless Cameraputs powerful and versatile imaging capabilities into the hands of ambitious content creators. Powered-up by its combo of the latest 26.0MP back-illuminated Exmor R CMOS sensor and the BIONZ XR processor, the camera nevertheless weighs less than its predecessor, resulting in a mobile workhorse capable of an unstrained 11 fps continuous stills capture or stress-free UHD 4K video oversampled from a 6K resolution, making it a formidable multi-tool for the multi-hyphenate creative.26.0MP Exmor R CMOS Sensor and BIONZ XR ProcessorThe Sony a6700's advanced imaging system is powered by the 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor, a combination introduced in the FX30 Digital Cinema Camera that is capable of 10-bit UHD 4K imagery at up to 120 fps or a top continuous shooting rate of 11 fps with AF and AE and up to 59 compressed raw still images in bursts. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-32000 that's expandable to ISO50-102400 when shooting stills, the camera boasts low-light performance with minimal noise and more than 14 stops of dynamic range.Cinematic Video in UHD 4KAlong with its powerful sensor and processor, the Sony a6700 brings a strong suite of professional video features from its Cinema Line series to everyday content creators and aspiring filmmakers.Full pixel readout from the 6K sensor creates high-quality UHD 4K video, with approximately 2.4x the data required for 4K video, minimizing moiré and aliasing.UHD 4K recording is possible with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning.Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats for consistent performance and quality at bitrates up to 600 Mb/s.Record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card.

Sony A6700 Mirrorless Camera Body & 18-135mm Lens 26MP Exmor (Black) by FedEx

AC Electronic Ltd

The MC-11 Mount Converter enables the use of Sigma EF-mount lenses on Sony E-mount mirrorless camera bodies, and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilization. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full EXIF data to benefit post-production and file management.Per Sigma, this Mount Converter/Lens Adapter is compatible with a select number of Sigma&#39;s own EF-mount lenses, and may or may not be suitable for use with other manufacturers&#39; EF-mount lenses. 	 Adapt EF-Mount Lens to Sony FE Body Integrated LED Displays Compatibility 	 Maintains Autofocus and Auto-Exposure 	 Supports In-Camera Correction Features 	 Flocked Interior Reduces Reflections 	 Retains EXIF Data  

Sigma MC-11 Mount Converter Canon EF Mount to Sony FE Mount (Retail Box)

The dynamic Tamron 150-500mm f/5-6.7 Di III VXD for full-frame-format Sony E-mount mirrorless cameras is a compact and versatile super-telephoto zoom lens well suited to capture a wide array of subjects ranging from landscapes and birds to sports and wildlife photography. The optical construction features 25 elements in 16 groups and utilizes special lens elements and hybrid aspherical lens elements to control chromatic aberrations. Each element features a BBAR-G2 coating to reduce flare and ghosting for high contrast and color accuracy. The VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism delivers extreme high-speed and high-precision movement and ensures exceptionally responsive performance and is compatible with Sony Hybrid AF and Eye AF features in enabled cameras. The minimum object distance of 23.6" at 150mm end of the zoom range provides dynamic close-up imaging and add to the lens' remarkable overall usability. 

Tamron 150-500mm F5-6.7 Di III VC VXD (A057S) (Sony E)

There was a time when the only negative point about Samyang's excellent lens range was that all were manual focus. No longer is this so. Already we have the very fine 50mm f/1.4, 35mm f/1.4, 35mm f/2.8 and 14mm f/2.8 AF lenses for full frame Sony FE mount. There is even an AF 14mm f/2.8 EF in Canon mount. Now the new Samyang AF 24mm f/2.8 FE for Sony full frame mirrorless cameras has arrived, the widest offering yet. This is a truly classic focal length, so let's see how it performs using the new Sony A7 III 24MP mirrorless body. 

Samyang AF 24mm f/1.8 Lens (Sony FE)

Sony's PXW-Z190 4K 3-CMOS 1/3" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p, relying on three 1/3" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 25x optical Sony G zoom lens and an electronic variable ND filter. The camera supports a variety of codecs out of the box, with an optional MPEG HD license enabling you to shoot HD video. 

Sony PXW-Z190 XDCAM Handheld Camcorder

The Sony E 50mm f/1.8 OSS Lens is a prime portrait-length lens featuring a bright f/1.8 maximum aperture and a 35mm-equivalent focal length of 75mm. The lens has a lightweight and compact design with an aluminum alloy lens barrel and engraved focusing ring to provide greater handling as well as an aesthetic appearance. Greatly benefitting handheld usage with this lens is Optical SteadyShot image stabilization, which works to minimize the appearance of camera shake by up to four shutter speed steps to support use in low-light conditions.
A linear autofocus motor is incorporated into the lens design to provide smooth, quiet performance and a stepping motor is employed to deliver quiet aperture actuation that is well-suited to video applications. For refined control over focus, Direct Manual Focus (DMF) is supported, which enables manual fine-tuning of focus when in AF mode to enhance working with selective focus imagery. Also contributing to shallow depth of field applications is a seven-blade circular aperture that provides a smooth quality to out-of-focus backgrounds. 	 Sony E-Mount 75mm (35mm Equivalent) 	 Aperture Range: f/1.8-22 	 Optical Steady 	 Shot Image Stabilization 	 Linear Autofocus Motor 	 Direct Manual Focus (DMF) 	 Circular Aperture Design 	 Aluminum Alloy Lens Barrel  

Sony SEL50F18 50mm F/1.8 OSS Lens Black

***Sony ZV-E1 Full Frame Vlog Mirrorless Lens Camera Body (Only) by FedEx*** Free Fed-ex Shipping to USA,Canada,,,Australia,Japan !!! DescriptionSony Alpha ZV-E1 – Full-frame Interchangeable Lens Camera with 12.1MP sensor, 4K video, AI based subject recognition, Log shooting, LUT handling and vlog friendly functionsFeaturesFull-frame 12.1MP Exmore R sensor, optimized for 4K, sensitivity and speedThe ZV-E1 is Sony's first vlog camera with a Full-frame 12.1 MP Exmor R image sensor that is optimized for 4K and delivers 15+ stops of latitude, low noise, high sensitivity, and gorgeous full-frame bokeh. 10-bit 4:2:2 recording with direct pixel readout, Long GOP or All Intra formatsRecords 4K movies with direct pixel readout and 10-bitdepth ausing Long GOP or All Intra compression, making it possible to grade for fuller, more natural gradations while generally providing greater editing freedom. Create memorable imagery with ease with Cinematic Vlog SettingCinematic Vlog Setting provides an intuitive way to create scenes that look like feature movies. Choosing a Look, Mood and AF transition speed, anyone can create cinematic vlog footage that ideally matches the scene and creative intent. Dedicated AI Processor and Real-time Recognition for accurate subject trackingWith its innovative AI processing unit, ZV-E1 uses subject form data to accurately recognize subjects. So even people wearing helmets or masks can be accurately detected and tracked in real time. 5-axis in-body image stabilization and Dynamic active mode for stable recordingA precision stabilization unit and gyro sensors plus optimized algorithms achieve up to 5.0-step anti-shake compensation. Framing Stabilizer maintains a constant subject position within the frame.The Framing Stabilizer feature automatically keeps the subject's position in the frame constant, which can be particularly useful when walking alongside the subject. Ai-based Auto Framing automatically adjusts the framing to highlight your subjectUsing AI-based subject recognition technology, the Auto Framing feature automatically crops the frame to keep the subject in a prominent position when shooting movies. Multiple Face Recognition automatically optimizes depth of field for selfies or groupsAI based subject recognition determines the number of faces and automatically adjusts focus and aperture when recording selfies or group portraits. 

Sony ZV-E1 Full Frame Vlog Mirrorless Lens Camera Body (Only) by FedEx

The Tokina SZ 33mm F1.2 is a fully manual optical lens featuring standard angle of view and super fast aperture. The lens is designed for still and video content creators with suggested genres like landscape, portrait, snap, wedding, night sky, travel for stills, and general documentary or commercial production for video. The lens is offered for FujiFulim X and Sony E APS-C size cameras. 

Tokina SZ 33mm F/1.2 Lens (Fuji X)

£2100 body-only£2349 with 28-60mm lens33MP Exmor R CMOS sensor, 36 x 24mmISO 100-51,200 (standard), ISO 50-204,800 (extended)Up to 10 fps shooting2.36m-dot, 0.7x viewfinder3in, 1.04m-dot fully articulated touchscreen4K 30p video (4K 60p with ‘Super 35’ 1.5x crop)In terms of design, the A7C II resembles the APS-C A6700. This means it has no joystick on the back for selecting the AF point or desired subject. Credit: Andy Westlake While Sony says the A7CR is aimed at ‘pro artists’ shooting subjects such as portraits and landscapes, the A7C II is an all-rounder for enthusiasts who’d like full-frame image quality from a relatively small camera. Both models come in either a sober-looking all-black, or a nattier two-tone black and silver finish. The A7C II will also be available in a kit with the FE 28-60mm F4-5.6 zoom, for £2350. This lens certainly has the virtue of being lightweight and portable, but creatively it’s rather limiting. While the original A7C came with some serious compromises, including a disappointingly tiny viewfinder, both the A7C II and the A7CR gain many of the same improvements we saw in the recent APS-C Sony Alpha A6700. This includes an improved control layout and a larger EVF. But is this enough to make them a serious alternative to SLR-shaped models? Sony Alpha A7C II : FeaturesIn many ways, the A7C II can be seen as a smaller version of the excellent Sony Alpha A7 IV, with a similar sensor and many of the same key specifications. However, it gains all of the new technologies Sony has introduced in the intervening two years, including its latest subject detection autofocus system that’s powered by its own AI processor. However, the smaller body imposes a step back in certain other areas. 

Sony a7C II Mirrorless Camera with 28-60mm Lens 33MP Full-Frame BIONZ XR By Fedex

With a dust and moisture resistant design, the compact and lightweight Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens covers your wide-angle zoom needs and is designed for full-frame E-mount cameras but can also be used on APS-C E-mount cameras as well. A constant f/4 maximum aperture offers consistent performance throughout the zoom range. Benefiting working in dim light is Optical SteadyShot image stabilization, which serves to minimize the appearance of camera shake by up to four shutter speed steps.
The optical construction incorporates five aspherical elements, including a large diameter AA (advanced aspherical) element, and three ED (extra-low dispersion) elements to help reduce chromatic aberrations throughout the zoom range as well as contribute to a compact overall form-factor. A Carl Zeiss T* anti-reflective coating has been applied to the lens elements to minimize lens flare and ghosting while providing enhanced contrast, clarity, and color fidelity. 	 Full-Frame E-Mount Lens 	 Aperture Range: f/4.0-22ED &amp; Aspherical Elements 	 Zeiss T* Coating 	 Silent Autofocus and Aperture System 	 Optical Steady 	 Shot Image Stabilization 	 Dust and Moisture-Resistant Construction 	 Circular Aperture, 7 Blades72mm Filter Thread  

Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens SEL1635Z

The DJI RS3 Pro Gimbal Stabilizer Combo has been redesigned to be sleeker and more powerful than the Ronin RS 2 gimbal, with its carbon fiber body weighing only 3.3 lb and a payload of up to 10 lb. This compact gimbal is tough enough to support and stabilize midsize cameras such as the Sony FX6 or Canon C70 with a 24-70mm zoom lens attached. With a larger full-color OLED display, a new fine-tuning knob, and greater stability, the RS 3 Pro can become an essential part of your professional camera kit. 

DJI RS 3 Gimbal Stabilizer

The 28-70mm f/2.8 DG DN Contemporary Lens for Sony E-Mount from Sigma is a versatile wide-angle to portrait-length zoom characterized by its f/2.8 constant maximum aperture. The design suits working in available lighting conditions while affording increased control over depth of field. More lightweight and compact than similar 24-70mm lenses, it's optical design incorporates two FLD and two SLD low-dispersion elements plus three aspherical elements that reduce a variety of aberrations to achieve high sharpness, enhanced clarity, and improved color accuracy. It features just one lightweight focusing element, which keeps the AF unit small. This, along with a quiet and fast stepping motor, makes for responsive and near-silent autofocus performance, an ideal combination for filmmakers looking for a high-performance, lightweight, and easy-to-handle camera system that works well with a gimbal or other accessories. 

Sigma 28-70mm F2.8 DG DN Contemporary Lens (Sony E)

Live stream with ease and clarity by using the Sony HD Camera with your PlayStation 5 console. Featuring dual wide-angle lenses, this camera connects to the console's rear USB Type-A port and captures in Full HD 1080p resolution for smooth and sharp picture quality. Activate the camera by pressing the Create button on the DualSense wireless controller, then record or broadcast yourself and your gameplay to show off your greatest moments. The camera takes advantage of the PlayStation 5's background removal tool, allowing you to add yourself to gameplay videos while broadcasting in picture-in-picture mode. Crop the background to suit your needs or remove it completely with a green screen. Use the built-in adjustable stand to securely place the compact HD Camera on top of, or below, your television. 

Sony HD Camera for PS5

The dynamic 11-20mm F/2.8 Di III-A2 RXD Lens from Tamron is a fast-aperture ultra wide-angle zoom lens for Sony E-mount APS-C mirrorless cameras. It features the world's first f/2.8 maximum aperture for Sony E-mount APS-C mirrorless in this category and has a compact and lightweight design. This ultra-wide lens is particularly suitable for landscape, astrophotography, and architectural shooting. Its bright f/2.8 constant maximum aperture complements this range and affords increased control over depth of field along with enhanced low-light performance. The optical design incorporates one XLD element, two LD elements, and two glass-molded aspherical elements to produce a highly corrected image with reduced chromatic aberrations and color fringing for improved clarity and color accuracy. Individual elements also feature Tamron's BBAR coating, which suppresses flare and ghosting for greater contrast when working in backlit and harsh lighting conditions. A responsive RXD stepping drive motor enables quick, near silent autofocus performance to suit stills and video. The minimum object distance is just 5.9" at the widest end of the zoom range, unlocking powerful wide-angle macro shooting capability with a unique perspective that makes near objects look larger, and distant objects smaller. Additionally, the f/2.8 maximum aperture produces a shallower depth-of-field that creates soft bokeh background details. Moisture-resistant construction protect the lens under inclement conditions, and a fluorine coating on the front lens element protects against dust, dirt, and smearing. 

Tamron FE 11-20mm F/2.8 Di III-A RXD Lens for Sony E Mount (B060)

Tokina SZ 33mm F/1.2 Lens (Sony E)

Sony a7C II Mirrorless Camera with 28-60mm Lens 33MP Full-Frame BIONZ XR By Fedex1

A fast and flexible wide-angle zoom, the FE 16-35mm f/2.8 GM Lens from Sony is a wide-angle zoom designed for full-frame E-mount mirrorless cameras. Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. The optical design incorporates two extra-low dispersion elements to reduce chromatic aberrations along with two XA elements and three aspherical elements, which significantly controls spherical aberrations for a high degree of image sharpness and clarity. Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.\n\nComplementing the optical assets, this lens is also notable for its inclusion of an 11-blade circular diaphragm to produce smooth, soft-edged bokeh with selective focus imagery. For controlling focus, two Direct Drive SSM AF groups are employed that are quick and quiet, and also lend more responsive control for manual focus operation. The lens also sports a dust- and moisture-sealed design to support shooting in inclement conditions and a dedicated focus hold button and AF/MF switch. 	 E-Mount Lens/Full-Frame Format 	 Aperture Range: f/2.8 to f/22 	 Two Extra-Low Dispersion Elements 	 Three Aspherical and Two XA Elements 	 Nano AR Coating and Fluorine Coating 	 Direct Drive Super Sonic Wave AF Motors 	 Focus Hold Button; AF/MF Switch 	 Dust and Moisture-Resistant Construction 	 Eleven-Blade Circular Diaphragm  

Sony FE 16-35mm f/2.8 GM Lens SEL1635GM

Comprising a flexible wide-angle range, the 17-28mm f/2.8 Di III RXD from Tamron is a versatile zoom for full-frame Sony E-mount mirrorless cameras. Covering ultra-wide to wide focal lengths, this lens is particularly suitable for landscape, astrophotography, and architectural shooting. Its bright f/2.8 constant maximum aperture complements this range and affords increased control over depth of field along with enhanced low-light performance. The optical design incorporates a both XLD and LD elements, which produce a highly corrected image with reduced chromatic aberrations and color fringing for improved clarity and color accuracy. Individual elements also feature Tamron&#39;s BBAR coating, which suppresses flare and ghosting for greater contrast when working in backlit and harsh lighting conditions. Additionally, adding to the versatility, an RXD stepping motor enables quick, near-silent autofocus performance to suit stills and video, along with full-time manual focus override and a minimum focusing distance of 7.5&quot;. Suiting this lens&#39;s use in inclement weather conditions, it also features a moisture-resistant construction along with a fluorine-coated front element to protect against fingerprints and smudging. 	 E-Mount Lens/Full-Frame Format 	 Aperture Range: f/2.8 to f/22XLD and LD Elements 	 BBAR and Fluorine Coatings  

Tamron 17-28mm f/2.8 Di III RXD Lens for Sony E

Blending a sleek form-factor with a versatile working range, the 28-75mm f/2.8 Di III RXD from Tamron is a full-frame-compatible lens for Sony E-mount mirrorless cameras. Spanning wide-angle to portrait-length, a constant f/2.8 maximum aperture complements this range and affords increased control over depth of field along with enhanced low-light performance. The optical design incorporates a series of low dispersion and aspherical elements, which produce a highly corrected image with reduced spherical and chromatic aberrations for improved sharpness and clarity. Elements also feature Tamron&#39;s BBAR coating, which suppresses flare and ghosting for greater contrast and color fidelity when working in backlit and harsh lighting conditions. Benefitting the optical design is an RXD stepping motor, which enables quick, near-silent autofocus performance to suit stills and video, along with full-time manual focus override and a minimum focusing distance of 7.5&quot;. Suiting this lens&#39;s use in harsh climates, it also sports a moisture-resistant construction along with a fluorine-coated front element to protect against fingerprints and smudging. 	 Sony E-Mount Lens/Full-Frame Format 	 Aperture Range: f/2.8 to f/22 	 One XLD Element, One LD Element 	 Three Aspherical Elements 	 BBAR and Fluorine Coatings 	 RXD Stepping AF Motor 	 Moisture-Resistant Construction 	 Rounded 9-Blade Diaphragm  

Tamron 28-75mm f/2.8 Di III RXD Lens (Sony E)

Mixing speed, reach, and portability, the Sony Cyber-shot DSC-RX100 VII is a pocket-sized camera packing a wealth of stills and video versatility. This seventh-generation camera in the esteemed RX100 series is the second to feature the impressive 24-200mm-equivalent ZEISS Vario-Sonnar T* lens that covers wide-angle to telephoto focal lengths for greater shooting flexibility in a variety of conditions. Making use of the extended range is a redesigned 20.1MP 1" Exmor RS CMOS sensor, along with an improved BIONZ X image processor, for fast shooting performance, high sensitivity to ISO 12800, and UHD 4K video recording. The updated sensor design is all about speed and enables blackout-free continuous shooting up to 20 fps for easier subject tracking. Single Burst Shooting also permits shooting at an extreme 90-fps setting for working with the fastest moving subjects. The sensor's design also provides a 357-point hybrid AF system for quick and accurate focus performance and subject tracking in both stills and video modes. A stacked design and front-end LSI also contribute to quickened operation and enhanced image quality. 

My Sourcing